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Art Planning and Structure
Adapted from an article in Explorations with Young Children
by Leah Levinger and Ann-Marie Mott
As you plan art experiences, keep in mind that the basic materials for painting, clay work, collage, and drawing can be offered regularly over the entire school year for children of all ages. The materials do not change; the artwork that children create with them does.
Planning Art Experiences Over Time
Providing repeated age-appropriate experiences with art that are at the same time sequential and varied allows caregivers and teachers of art to meet and provide for the changing needs and interests of children.
As a caregiver or art teacher, keep in mind
that novelty is not the same thing as creativity. (Artists
know this and they, too, use the same materials and themes
again and again.) A 2-year-old who has discovered that she
can make jagged lines or dots all over the page is not ready
to be hurried into drawing people until she has had her fill
of these, which may take months. In fact, the lines and dots
may reappear as elements in her renderings of people
lines as hair and mouth and dots as eyes.
When children seem to be randomly going
through the motions of a task with little or no personal investment
or pleasure, it is probably time to vary the experience. Sometimes
a new collection of patterned papers offered in collage or
a large piece of colored paper for painting may be all that
is necessary. Maybe you need to think about how to integrate
art experiences into other areas of the curriculum to extend
childrens learning.
How much art you offer in your setting will
depend in aprt on your own comfort and familiarity with the
materials. If you work with materials yourself, you will strengthen
and enlarge your art program.
Providing the Structure for Art Experiences
The first step is to have supplies on hand.
The quantities of materials will vary depending on
- the number of children
- available storage space
- budget constraints
- childrens and teachers
interests
Many of the needed materials can be scrounged
or found by asking parents, staff, friends, and local businesses
for contributions. Among the basic materials for 20 to 30
children 3 through 8 years old may be
- 50 pounds or more of clay
(amount depends on whether you recycle)
- one or two gallons of liquid
white glue
- a dozen or more glue brushes
- packages of construction paper
in different sizes and colors
- small glue containers (can
be yogurt containers or similar containers)
- assorted visual and tactile
collage materials
- large and small boxes for
collage materials
- a variety of construction
materials (egg cartons, oatmeal containers, buttons, beads,
corks, yarn, etc.)
- assorted paper (smooth white,
newsprint, etc.)
- pencils, crayons, craypas,
oil crayons
- paint
- cellulose sponges for wiping
brushes
- pint and quart sized plastic
containers for water (transparent if possible)
Useful tools for teachers include a paper
cutter, mat knife, scissors, and wire cutter. For children
nails and screws, scissors, paper punches, stapler, masking
tape, hammer, and screwdriver are useful.
These materials should be stored in an attractive,
neat work area. Shelves should be easily accessible and have
areas clearly labeled for clay, collage, paint, and drawing
materials, and different kinds of paper. Hooks for aprons
or smocks can be attached nearby. One large table or two smaller
tables should provide sufficient surface space for small groups
of children to work on.
Young children need a structure for their
explorations with materials. Too little structure can inhibit
childrens expression just as a too-directed experience
can. Children must clearly understand the expectations for
the organized routines of working with art materials. Feeling
safe and stimulated allows them to learn and grow from new
art experiences, as well as from those that are more familiar
and predictable.
Parts of the Art Experience
The art experience consists of three parts:
set up, work time, and clean up. By participating in all three
aspects of the art activity, children feel independent as
well as committed to the well-being of the classroom community.
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